I set up about two miles east of the building, the Sigma 150-600mm pulled tight at 550mm on the Sony A7RV, and waited. The moon rose faster than you'd expect at that focal length — a glowing amber disc climbing through Atlanta's skyline, the atmospheric haze turning it the color of hammered copper against the night sky.
For about eleven minutes, the moon sat perfectly nested behind the pyramid's lattice structure — close enough that I could resolve individual crater walls through the ironwork. The Looney 11 rule got me in the ballpark, but I dialed down half a stop to retain the detail in the moon's face while keeping the building's warm glow present in the frame.
This is the shot I'd been planning for months. Some frames you calculate. Some you stumble into. This one was both.